Wednesday, December 25, 2019

The Sexting Phenomenon Essay - 1198 Words

Cell phones are common objects found in the pockets and bags of almost everyone one in the world. Recently, cell phones have been getting teens and adults into trouble. Most individuals send and receive text messages. The newest trend among some individuals is â€Å"sex-texting† or â€Å"sexting.† Sexting is a dangerous yet contagious phenomenon contaminating the lives of teens and adults all over the country, if not the world. This phenomenon can have serious consequences. Even after surveying 1300 teenagers, one in five say they’ve sexted, although they know that it could be a crime (Feyerick and Steffen). Sexting is a growing epidemic and the only way to prohibit its growth is to develop close relationships with the kids of today’s†¦show more content†¦Not only can sexting get attention, but it can also be used as a tool to get a man interested, if not already interested. A woman who has sexted before claimed that sexting is just anothe r tool in the arsenal to flirting (Tapper). In that same article, another woman said that sexting â€Å"lets your inner woman out. (With your cell phone) you can be the freakiest, dirtiest and most sexually uninhibited woman around.† This same woman also claimed that sexting is â€Å"another tool in the arsenal to stay on his mind 24/7† (Tapper). Teenagers see sexting as high-tech flirting as well (Kingston). Sexting isn’t just something to do while bored or to get attention, but it’s also used to stay on the mind of his or her lover all the time. Although it is a useful tool to get on someone’s mind, sexting can alter, if not destroy, the perception of how we look at the human body. It can be a piece of beauty that we should care for, or it can be a piece of garbage that we can toss to whomever we’d like. Sexting is degrading the image of the body. Kids and even some adults need to know about the importance and beauty of the body. If we teach the sexting population about how to care and respect the body, then maybe we can decrease the amount of people sexting (Rede). But, part of the problem with this solution is that some individuals fell they already know about the importance of the body and they don’t think that way. Instead,Show MoreRelatedTeenage Sexting Essay631 Words   |  3 PagesThe act of sexting has many negative consequences. The number of teenagers whom participate in sexting is rapidly increasing. Sexting has become a widespread phenomenon that has destroyed lives and has caused emot ional distress to many teenagers and young adults. Sexting gives teenagers the feeling of acceptance and the chance to be popular by gaining attention but what they fail to realize is the attention they are receiving is negative and it affects their reputation. Once a sext message has beenRead MoreGender, Gender And The Media1501 Words   |  7 Pagessex. 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Tuesday, December 17, 2019

Traditional Financial Reporting and its Limitations

Introduction In a more general term, financial statement states the details of an organization, entity and business financial activities. It provides information about the financial performance, position as at a given date, changes in financial position, etc., that are useful for economic decision. Some of the information content may include the statement of an entity’s assets (non-current and current), liabilities (short and long time), ownership structure, and statement of income, expenditure and profits. It may also provide information on investing, operating and financial activities cash flows. Aside from this, it information contents may include set of notes, management discussions and analysis. Notwithstanding, are these information adequate for economic decision making process? Are these inadequacies or limitation address by modern performance measures such as economic value added analysis (EVA), Shareholders value analysis (SVA) and Extensible Business Reporting Language (XBRL )? In view of the foregoing, this paper discusses analysis of financial statements and limitations inherent in traditional financial reporting. It also considers whether modern and contemporary measures of performance address these limitations. Analysis based on financial statements Financial statement analysis is fundamental to the determination and evaluation of an organization profitability and health conditions. It involves the assessment of its past, present and sometimes futureShow MoreRelatedBrief Analysis About Integrated Reporting1128 Words   |  5 Pagesabout Integrated Reporting Introduction Since the IIRC was found in 2010, the settlement of integrated reporting has been considered and confirmed by various committees. 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(Kaplan Norton 2005) As seen in the figure below, the scorecard is organised such that the interrelati onship between these variables as well as comparison between goalsRead MoreEssay Week 2 Ind assignment1119 Words   |  5 Pagesï » ¿CH. 1 Exercise 1-1 1. The traditional business model of accounting is inadequate for governments and not-for-profit organizations primarily because businesses differ from governments and not-for-profit organizations in that A. They have different missions CH. 1 Questions 1. What is the defining distinction between for-profit businesses and not-for-profit entities, including governments? What are the implications of this distinction for financial reporting? The defining distinction is that for profitRead MoreEthics And The Auditing Culture : Rethinking The Foundation Of Accounting And Auditing974 Words   |  4 PagesArticle #3 Abstract. The article reviewed was Ethics and the Auditing Culture: Rethinking the Foundation of Accounting and Auditing. 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Financial management works under two theories. One theory controls bad sources of fund. This theory explains that the policy makers should think about cost, risk and control; and these things could be make minimum

Monday, December 9, 2019

Seers on the rim Essay Example For Students

Seers on the rim Essay the tradition of African-American women playwrights can be traced back as far as the late 19th century; nevertheless, contemporary women playwrights remain on the edge, scrawling in the margins of todays mainstream theatre. But (as the author of from margin to center, bell hooks, so eloquently asserts) the margin need not be defined as a place that holds markings of less value; rather, for African Americans, it is a site of resistance to racial and gender oppression, silence, despair and invisibility. I have come to view these writersthese archaeologists of spirit and psyche who recompose the fractured self; these listeners to ancestral whispers who carve new forms from the clay of intuitive impulse; these visionaries who venture beyond the linear, the cornered, the squared-off edge of dramatic convention to find the rounded edge of reinvention; these word weavers, wor(l)d weavers, diviners who nestle with their dreams and nightmares in the bosom of night, knowing it to be the womb o f lightI have come to view them as Seers perched on the rim of revelation. Like every other African-American woman, the playwright is living in a very hostile environment. The American theatre is still, for the most part, a white patriarchal institution. Its hostility toward African-American women writers and others has been expressed, not through malevolence, but more dangerously through avoidance and neglect. On the commercial theatre scene, the black woman playwright is rendered virtually invisible. When was the last time you saw a play on Broadway written by an African-American woman? For me it was 10 years ago, when Whoopi Goldberg appeared in her one-woman show. An even more galling fact is that at the time of this writing, there is not a single African-American play on Broadway. Obviously, Broadway is not the only measure of success, but it does reflect the largest capital investment in American theatre, conferring star status upon its writers. In the nonprofit professional theatre, African-American women writers are present, but a survey of plays produced delivers an alarming comment on the nature of that presence. The 199192 season preview of American Theatre magazine included listings for more than 190 theatre companies nationwide, a handful of which were African-American companies. Of the more than 1,100 plays scheduled, nearly 60 were written by African Americans, representing approximately five percent of the total productions. About 15 of those plays were written by African-American womenone-third of the black plays, and roughly one-and-one-half percent of the overall total. Taken at face value, these figures suggest that the contributions of African-American women playwrights are insignificant. But over the past nine years, in my work as a dramaturg at Crossroads Theatre Company in New Brunswick, N.J. and as a panelist for many playwriting awards, I have read hundreds of plays in search of the extraordinary voice in todays theatre. Among the voices I find most compelling, thought-provoking and stylistically fresh are Laurie Carlos, Kia Corthron, Thulani Davis, Judith Alexa Jackson, Adrienne Kennedy, Robbie McCauley, Suzan-Lori Parks, Aishah Rahman, Ntozake Shange, Anna Deavere Smith and Danitra Vance. Sylistically and thematically diverse, informed by a vast array of influences from the classical Greek theatre to minstrel shows and vaudeville, these writers investigate political and social issues (the Crown Heights riots, the Clarence Thomas hearings, the life of women in prison, the legacy of lynchings) and intensely personal and spiritual experiences (family life, abandonment, betrayal, rape, survival and transformation) in their plays. Each of them in some way has create d a testament to Originality, defining theatre in her own terms. Defiantly poised on the vanguard, writers like these sustain my hope for a dynamically evolving theatre as we move toward the year 2000 and beyond. The play An Inspector Calls Essay SummaryThe cultural diversity movement of the 90s has altered the economic climate in the arts by its significant increase in opportunities for these artists. With increased opportunity comes increased competition. Theatre companies compete for funding and artists compete against each other for the multicultural slot in production schedules. Women and artists of color have greater access to the mainstream, but true entitlement is limited. Artists are not involved in setting national policies and strategies. The scent of paternalism and tokenism lingers in the air. In other words, women and artists of color are welcome to visit the mainstream, but it is not their home. The current cultural diversity plan marks only the beginning of a much more complex process that will eventually have to address the residual racist and sexist conditioning that undermines the integrity of the diversity movement. despite the movements gains, the many artists who create provocative new work are rarely given an opportunity for full production. Often these works are recognized for their potential but ultimately deemed not ready for the big leagues. Beyond the confines of the mainstage slot-system, the other artist languishes in the Sisyphus-syndrome of the developmental track; i.e., workshops and readings, presented on the second stage. Because so few writers of color move beyond that purgatory phase, in effect it forms a ghetto of multiculturalism within the theatre. In order to move beyond the sharecropocracy model, the new faces, themes and styles call for an innovative redesign of the process for developing and producing new plays. (The model of development for August Wilsons playstaking each play on a regional tour en route to Broadwayis an alternative process that produces excellence and completion. It calls for the kind of cross-cultural and inter-theatre partnership that is rarely seen i n nonprofit theatre, yet it holds great possibility for the cooperative enhancement of our artistic process.) Whatever the course of the economic and political trends in American society, the resuscitation of imagination in American theatre will depend upon our collective ability to negotiate a balance of power, and a recognition of the interdependence of polaritiesmale/female, black/white, rich/poor. True diversity will empower and enfranchise each interest group as cultural allies. Many black women playwrights innovatively address these goals by returning to and reinventing African-engendered elements: signifyin, ancestral invocation, the incorporation of music and movement, use of the circle of time, the word as magic and storytelling as healing. Signaling from the margins, they use these cultural charms to voice universal concerns. But if we place these playwrights, along with all other playwrights, in a circle, then there is no margin. Each writer claims her space on the continuum of dramatists who play a dynamic role in the evolution of the art form, using it as a tool for the transformation of human consciousness.

Sunday, December 1, 2019

Woodstock Essays - Counterculture Of The 1960s, Music, Entertainment

Woodstock In 1969, the Woodstock Music and Art Fair drew more than 450,000 people to a pasture in Sullivan county. For four days, this site became a "countercultural mini-nation" in which drugs were all but legal, music was plenty, and love was free. The music began Friday afternoon at 5:07 p.m. August 15, and continued until mid- morning Monday August 18. The festival closed the New York State Thruway and created one of the nation's worst traffic jams. It also inspired a bunch of local and state laws to ensure that nothing like it would ever happen again. Woodstock was the idea of four young men: John Roberts, Joel Rosenman, Artie Kornfeld and Michael Lang. The oldest of the four was 26. Their original odea was to have it in Wallkill, New York, but the residents objected so greatly, that the site was then taken to a farm about eight miles outside of Bethel, N.Y. , population 3,900. There was objections from this city as well, but a permit had already been purchased to have a concert, so not much could be done about it. Although the conditions were terrible, (Lack of food, sparse sanitation facilities, drugs and alcohol, mud, to name a few) there were no violent acts at the festival. DRUGS Drugs were a problem at the festival, nearly ninety percent of the people there were smoking marijuana. There were no violence problems though. Approximately one hundred percent of the 33 people arrested were charged with drug-related charges. FOOD Food shortage was a problem since so many people showed up who the festival organizers wree not prepared for. Only 60,000 people were expected to attend, yet on the first day alone, 500,000 frankfurters and hamburgers were consumed. Constant airlifts were being operated from the site and outlying areas, bringing in a total of 1,300 pounds of canned food, sandwiches, and fruit. In fact, the food problems were so great that the Women's Group of the Jewish Community Center of Monticello and the Sisters of the Convent of St. Thomas prepared and distributed 30,000 sandwiches for the festival go-ers.